 Artist: Armor For Sleep: mp3 download Genre(s): Rock Other Armor For Sleep's discography:  Smile for Them Year: 2007 Tracks: 12  What To Do When You Are Dead Year: 2005 Tracks: 11 New Jersey dream rock candy quadruple Armor for Sleep's emotionally charged lyrics, energetic live shows, and D.I.Y. knead value orientation have got won them a loyal fan base. Singer/songwriter/guitar musician Ben Jorgensen began musical composition of piece of writing songs the summertime ahead his freshman yr at college, and recorded 2 of them at a local studio apartment. Weary of playing all of the instruments himself, the self-admitted solitary set up akin john Barleycorn in bassist Anthony Dilonno and cousins Nash Breen (drums) and P.J. DeCicco (guitar). Buzz for the fresh minted band grew quickly, and by the summertime of 2002, they establish themselves in California recording their debut, Dream to Make Believe. Released on Equal Vision Records in June 2003, the record secured the band a substantial pip in the maturation emo-pop view, in the lead to some alternative shows with bands like Taking Back Sunday, Piebald, and Thursday. In 2005, afterwards successfully headlining their have U.S. tour, the band released What to Do When You Are Dead, a broadly speech production related to conceptual phonograph recording album transaction with sprightliness and death that showcased the group's growth into a heavier and darker machine. The DVD A Comprehensive Guide to Touring was issued nigh the year's final stage, and Armor for Sleep following signed on to the roster over at Sire in April 2006. The following year, "Last of the World" was included on the soundtrack for Transformers: The Movie, and the group released a fresh record record album, Smile for Them. |
Tuesday 2 September 2008
Mp3 music: Armor For Sleep
Saturday 23 August 2008
Download Lesley Garrett mp3
 Artist: Lesley Garrett: mp3 download Genre(s): Easy Listening Pop Classical Discography:  I Will Wait For You Year: 2002 Tracks: 17  Travelling Light Year: 2001 Tracks: 14  A Soprano Inspired Year: 1998 Tracks: 19  Simple Gifts Year: 1994 Tracks: 16  When I Fall in Love Year: Tracks: 12 One of the almost popular performers in contemporaneous British opera, soprano Lesley Garrett was born in Yorkshire, England on April 10, 1955; afterward attendance her low opera at age 15, she devote her liveliness to vocalizing, and was later awarded a encyclopaedism to London's Royal Academy of Music. In 1979 she won superlative prize at the Kathleen Ferrier Competition, and undermentioned her first gear major performance as Dorinda in Handel's Orlando she earned roles with Opera North and the English National Opera; although Garrett's career was temporarily derailed by nausea, she returned to the stage in 1983, and a year later was named the ENO's principal soprano. Her major roles included Atalanta in Handel's Xerxes, Yum-Yum in Gilbert and Sullivan's The Mikado, Papagana in Mozart's Magic Flute, Esmerelda in Smetana's The Bartered Bride and Vivette in La Belle Vivette. to boot, Garrett recorded a series of LPs, including 1992's Diva! A Soprano at the Movies, 1994's Dewy-eyed Gifts, 1996's Soprano in Hollywood and 1998's A Soprano Inspired. |
Wednesday 13 August 2008
Star Wars - If Its Wednesday It Must Be Friday
Yet another major freeing -- this one, DreamWorks/Paramount's Tropic Thunder -- is debuting on a Wednesday, raising the question of whether Wednesday is becoming the new Friday so far as film studios are concerned. Last week, analysts speculated that the debut of Pineapple Express had been moved to Wednesday in order to avoid having to vie with the opening of the Summer Olympics. This week, some are speculating that Thunder was affected to Wednesday to get a step up on Star Wars The Clone Wars , which is due out on Friday. But Chad Hartigan, an analyst for Exhibitor Relations and its sibling Reel Source, told E! Online that the factual reason is August itself. The studios, he aforesaid, are looking to expand the number of days their films are in studios before the end of the month when kids lead off preparing to return to school. That is particularly the case with male teens, wHO drive the box office during the summer, and it is no co-occurrence, he suggested, that the Wednesday openers are particularly targeted at them.
13/08/2008
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Wednesday 6 August 2008
Aimee Mann isn't smiling about state of the music business
Aimee Mann isn’t laughing. The former leader of Boston’s ’80s hitmakers ’Til Tuesday believes digital engineering and the Internet receive stolen her livelihood. She just might be right.
The title of her new CD, “@#%&*! Smilers,” is a sarcastic kiss-off to look-on-the-bright-side types. Mann does not visit the glass as half-full these years. She cites illegal downloads and the cult of celebrity among her sources of stress. And Mann, who plays tonight at the Berklee Performance Center, feels none the better for having launched her own indie label, SuperEgo Records, in 1999.
“It makes no difference, I’m afraid,” Mann said from her base in Los Angeles. “I’m looking for advice myself. I wish I could tell you I understand what’s happening, only I don’t. Lately, the music market seems like all supply and no demand. Technology is partially responsible. But then there’s this whole unfortunate cult of narcissism and following of fame for its own sake compounding that.”
Perhaps her crotchetiness - which she apologizes for during our talk - comes from living in L.A., where Mann, 47, and her hubby, fellow singer/songwriter Michael Penn (brother of actor Sean), live in the slurred of our celebrity half-crazed culture.
“Everybody wants to make records, merely for all the wrong reasons,” Mann aforementioned. “Notoriety seems to be the only thing that matters. There’s little awareness that fame and hazard should be by-products of hard work and talent, not something you’re entitled to because you believe it’s your destiny. But the realism is that nobody wants to make very hard.”
But hard work alone, of course, is no undertake of success, especially in today’s uncertain music business.
“Folks think because I have my own label that every dime earned is profit,” Mann said. “But you have to hire people to handle the business. And regarding the music itself, it often boils down to connections and vocation favors. You offer somebody a paltry few century bucks to play on your album and feel like you’re grovelling, telling them, ‘I know you’re worth a good deal more than this.’
“And you can’t really pretend any money on the road, either. That’s some other popular myth. If I do an acoustic circuit, I power be able to make a little money, merely when I go forbidden with a band, I’m lucky to break even. People whole don’t get it. They’re like, ‘Well, you can ever sell T-shirts,’ as if I could live on the money from the 10 shirts I power sell at each demonstrate. C’mon!”
What’s Mann looking for? Not fortune and fame. Just sufficiency income to continue doing what she loves: making music.
“The money from the last album has to pay for the adjacent one,” she aforesaid. “That’s the way this has to work. I’ve never been looking to get rich, but I’d like to know I can pay my mortgage. There simply isn’t enough to go about. This is the first time in my life I’ve encountered people wHO truly believe that getting rich and famous volition make them happy. But it goes back to the old adage about money existence the root of all evil. It’s just really weird to see it in action so vividly.”
The title of her new CD, “@#%&*! Smilers,” is a sarcastic kiss-off to look-on-the-bright-side types. Mann does not visit the glass as half-full these years. She cites illegal downloads and the cult of celebrity among her sources of stress. And Mann, who plays tonight at the Berklee Performance Center, feels none the better for having launched her own indie label, SuperEgo Records, in 1999.
“It makes no difference, I’m afraid,” Mann said from her base in Los Angeles. “I’m looking for advice myself. I wish I could tell you I understand what’s happening, only I don’t. Lately, the music market seems like all supply and no demand. Technology is partially responsible. But then there’s this whole unfortunate cult of narcissism and following of fame for its own sake compounding that.”
Perhaps her crotchetiness - which she apologizes for during our talk - comes from living in L.A., where Mann, 47, and her hubby, fellow singer/songwriter Michael Penn (brother of actor Sean), live in the slurred of our celebrity half-crazed culture.
“Everybody wants to make records, merely for all the wrong reasons,” Mann aforementioned. “Notoriety seems to be the only thing that matters. There’s little awareness that fame and hazard should be by-products of hard work and talent, not something you’re entitled to because you believe it’s your destiny. But the realism is that nobody wants to make very hard.”
But hard work alone, of course, is no undertake of success, especially in today’s uncertain music business.
“Folks think because I have my own label that every dime earned is profit,” Mann said. “But you have to hire people to handle the business. And regarding the music itself, it often boils down to connections and vocation favors. You offer somebody a paltry few century bucks to play on your album and feel like you’re grovelling, telling them, ‘I know you’re worth a good deal more than this.’
“And you can’t really pretend any money on the road, either. That’s some other popular myth. If I do an acoustic circuit, I power be able to make a little money, merely when I go forbidden with a band, I’m lucky to break even. People whole don’t get it. They’re like, ‘Well, you can ever sell T-shirts,’ as if I could live on the money from the 10 shirts I power sell at each demonstrate. C’mon!”
What’s Mann looking for? Not fortune and fame. Just sufficiency income to continue doing what she loves: making music.
“The money from the last album has to pay for the adjacent one,” she aforesaid. “That’s the way this has to work. I’ve never been looking to get rich, but I’d like to know I can pay my mortgage. There simply isn’t enough to go about. This is the first time in my life I’ve encountered people wHO truly believe that getting rich and famous volition make them happy. But it goes back to the old adage about money existence the root of all evil. It’s just really weird to see it in action so vividly.”
Thursday 26 June 2008
Ray Anthony and His Big Swing Band
Artist: Ray Anthony and His Big Swing Band
Genre(s):
Jazz
Discography:
Swing Club
Year: 1999
Tracks: 12
Thursday 19 June 2008
Martha Wainwright - Wainwright Praises Johanssons Musical Talents
Canadian singer MARTHA WAINWRIGHT has tipped SCARLETT JOHANSSON to be a chart topper - leaving fellow actress-turned-singer JULIETTE LEWIS in her shadows.
Wainwright is a big fan of Johansson's debut album Anywhere I Lay My Head - despite critics' bad reviews - and believes she has more talent than Juliette Lewis, who launched her rock career with Juliette And The Licks.
She says, "I heard half the song and I thought it sounded really beautiful. I feel so sorry for Juliette, she's trying so hard (but) it's not going to happen."
See Also
Tuesday 10 June 2008
Music Instructor
Artist: Music Instructor
Genre(s):
Techno
Electronic
Other
Dance
Discography:
Techno Legend
Year: 2003
Tracks: 17
World of Music Instructor
Year: 2000
Tracks: 14
Electric City
Year: 1999
Tracks: 16
Electro City
Year: 1998
Tracks: 16
Electric City Of Music Instructor
Year: 1998
Tracks: 16
The World Of Music
Year: 1996
Tracks: 14
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